Big Bill Broonzy - Do That Guitar Rag: 1928 - 1935 (LP, Comp, RE, 180) Mint (M) / Mint (M)

Big Bill Broonzy - Do That Guitar Rag: 1928 - 1935 (LP, Comp, RE, 180) Mint (M) / Mint (M)Summary: Vinyl, LP, Compilation1, Do That Guitar Rag: 1928 1935, Big Bill Broonzy, 0, US Media Condition: Mint (M) Sleeve Condition: Mint (M) Country: US Released: Genre: Blues Style: Country Blues Comments: New & Sealed. Notes: 180 Gram release! A1: 1930 A2: 1928 A3: 1930 A4: 1932 A5: 1930 A6: 1932 A7: 1930 B1: 1930 B2: 1930 B3: 1932 B4: 1932 B5: 1930 B6: 1930 B7: 1935 The musician credits are not explicitly printed against the tracks, but have been

Summary: Vinyl, LP, Compilation1, Do That Guitar Rag: 1928 - 1935, Big Bill Broonzy, 0, US

Media Condition:  Mint (M)
Sleeve Condition: Mint (M)
Country:    US  
Released:  
Genre:       Blues
Style:         Country Blues

Comments:
New & Sealed.
 

Notes:

180 Gram release! A1: 1930 A2: 1928 A3: 1930 A4: 1932 A5: 1930 A6: 1932 A7: 1930 B1: 1930 B2: 1930 B3: 1932 B4: 1932 B5: 1930 B6: 1930 B7: 1935 The musician credits are not explicitly printed against the tracks, but have been extrapolated from the liner notes.

A1. Pig Meat Strut
A2. Down In The Basement
A3. Terrible Operation Blues
A4. Big Bill Blues
A5. Leave My Man Alone
A6. Bull Cow Blues
A7. Grandma's Farm
B1. Guitar Rag
B2. Pussy Cat Blues
B3. Mr. Conductor Man
B4. Worrying You Off My Mind Part 1
B5. Double Trouble Blues
B6. Skoodle Do Do
B7. C & A Blues

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YAZ1035-LP

The late Big Bill Broonzy looms as one of the few country blues greats whose career seems as remarkable as his musicianship. He played every professional role available to the untutored black guitarist of his generation: that of the country blues soloist catering to dance audiences, the city bluesman beguiling record buyers with full-dress lyric themes and a slow song delivery, and the folk entertainer trading on familiar standards ear-marked for white listening audiences. When he became one of the first bluesmen to appear in formal by playing Carnegie Hall in 1939, he was (unlike most black musicians who had ever received inter-racial recognition for their work) already a popular musical attraction within his own race. Twenty years later, just before country blues began to interest white listeners as an art form, Broonzy was dead at the age of 60. It is his early career as a country bluesman that this LP, like its companion volume ‘The Young Bill Broonzy’, commemorates.